{"id":78342,"date":"2024-07-05T17:01:46","date_gmt":"2024-07-05T09:01:46","guid":{"rendered":"https:\/\/www.firstfilm.org.cn\/?p=78342"},"modified":"2024-07-10T15:59:12","modified_gmt":"2024-07-10T07:59:12","slug":"chambre-666","status":"publish","type":"post","link":"https:\/\/www.firstfilm.org.cn\/en\/movies-en\/film-library-en\/chambre-666\/","title":{"rendered":"CHAMBRE 666"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":69,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[228,103,40],"tags":[],"acf":{"databaseId":"","title":"CHAMBRE 666","limit":"no","image":{"ID":78336,"id":78336,"title":"CHA01(c)WWS","filename":"CHA01cWWS.jpg","filesize":752696,"url":"https:\/\/www.firstfilm.org.cn\/wp-content\/uploads\/2024\/07\/CHA01cWWS.jpg","link":"https:\/\/www.firstfilm.org.cn\/en\/movies-en\/film-library-en\/chambre-666\/attachment\/cha01cwws-2\/","alt":"","author":"69","description":"","caption":"\u00a9\ufe0f 1982 Wim Wenders Produktion, Chris Sievernich Filmproduktion Courtesy of Wim Wenders Stiftung","name":"cha01cwws-2","status":"inherit","uploaded_to":78342,"date":"2024-07-05 09:00:18","modified":"2024-07-05 09:01:35","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.firstfilm.org.cn\/wp-includes\/images\/media\/default.png","width":1417,"height":948,"sizes":{"thumbnail":"https:\/\/www.firstfilm.org.cn\/wp-content\/uploads\/2024\/07\/CHA01cWWS-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.firstfilm.org.cn\/wp-content\/uploads\/2024\/07\/CHA01cWWS-300x201.jpg","medium-width":300,"medium-height":201,"medium_large":"https:\/\/www.firstfilm.org.cn\/wp-content\/uploads\/2024\/07\/CHA01cWWS-768x514.jpg","medium_large-width":640,"medium_large-height":428,"large":"https:\/\/www.firstfilm.org.cn\/wp-content\/uploads\/2024\/07\/CHA01cWWS-1024x685.jpg","large-width":640,"large-height":428,"1536x1536":"https:\/\/www.firstfilm.org.cn\/wp-content\/uploads\/2024\/07\/CHA01cWWS.jpg","1536x1536-width":1417,"1536x1536-height":948,"2048x2048":"https:\/\/www.firstfilm.org.cn\/wp-content\/uploads\/2024\/07\/CHA01cWWS.jpg","2048x2048-width":1417,"2048x2048-height":948,"alm-thumbnail":"https:\/\/www.firstfilm.org.cn\/wp-content\/uploads\/2024\/07\/CHA01cWWS-150x150.jpg","alm-thumbnail-width":150,"alm-thumbnail-height":150}},"awards":false,"first-play":"","main-production":"WIM WENDERS","intro_small":"","intro":"<p>\u201cThere was a general gloom at the 1982 Cannes Film Festival. The feeling that the end of cinema was\u00a0inevitable was roaming everywhere. A \u2018black hole\u2019 was opening in film history so to say. So I thought I would\u00a0do a survey among my colleagues about the future of cinema. I invited them all to the only available room in\u00a0the whole town. Room 666 at the Hotel Martinez. There was a single camera in the room and the question\u00a0was on the table. My colleagues only had to turn on the tape recorder and the camera when they were\u00a0ready to give their solitary answers. Godard, Fassbinder, Spielberg, Antonioni, Herzog and other\u00a0filmmakers gave response to the question: \u2018Is cinema a language about to get lost, an art about to die?\u2019Some have answered the question very extensively, others were unsettled by the situation and remained\u00a0silent, We then cut those out&#8230;\u201d<\/p>\n","preview":{"title":"","bg":false,"video":"","poster":false},"director":[{"ID":78331,"post_author":"69","post_date":"2024-07-05 16:58:40","post_date_gmt":"2024-07-05 08:58:40","post_content":"","post_title":"WIM WENDERS","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"wim-wenders-2","to_ping":"","pinged":"","post_modified":"2024-07-05 16:58:54","post_modified_gmt":"2024-07-05 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