Synopsis
CHARLOTTE ET SON JULES
This short film, akin to a comedic skit, depicts a writer whose ex-girlfriend unexpectedly returns, leaving him with mixed emotions. Initially, he sarcastically assumes she wants to rekindle their romance. However, upon learning her lover is waiting downstairs, he begins to plead desperately. The film’s dialogue, entirely composed of the writer’s monologue, satirizes films and exposes industry scandals, offering both humor and character depth.
DAS KLEINE CHAOS
Three young people use the pretext of selling magazine subscriptions to enter apartments. In one instance, they assault a woman, take her money and leave.
SAUTE MA VILLE
Suburbs of Brussels: a young lady in her apartment’s kitchen mops the floors, polishes her shoes, dances, cooks, drinks wine, then she duct-tapes the door, opens the gas and blows everything up – humming all along.
CHAMBRE 666
“There was a general gloom at the 1982 Cannes Film Festival. The feeling that the end of cinema was inevitable was roaming everywhere. A ‘black hole’ was opening in film history so to say. So I thought I would do a survey among my colleagues about the future of cinema. I invited them all to the only available room in the whole town. Room 666 at the Hotel Martinez. There was a single camera in the room and the question was on the table. My colleagues only had to turn on the tape recorder and the camera when they were ready to give their solitary answers. Godard, Fassbinder, Spielberg, Antonioni, Herzog and other filmmakers gave response to the question: ‘Is cinema a language about to get lost, an art about to die?’Some have answered the question very extensively, others were unsettled by the situation and remained silent, We then cut those out…”
